Last night, I had to leave a bountiful dinner with my classmates just in time for a watch of a film which had been stimulating my curiosity several days before.
The film was relived during the times of the Japanese regime, in a small rural barrio where couple Daniel (Derek Ramsay) and Corazon (Erich Gonzales) reside in despondence of child bearing. The villagers were discriminate about Corazon who they allegedly accused as a daughter of a whore. Corazon has succumbed to the lost a their expected son and became insane in the later half of the story. She cursed the heavens for taking her baby away without giving her the chance to hear it cry. She swears that the barrio will no longer hear any child's cry--the village has to pay for all her pain. Sooner, she was found in the wilderness preying on boars and eventually, haunted the houses for human flesh. Daniel, oin the other hand, is a stereotypical character who loved his wife until the very end regardless of his wife's demonic transformation.
The movie, "Corazon, Ang Unang Aswang" had its fair share of good and bad remarks from the viewers. Allow me to iterate first the advantages the movie earned.
First, I congratulate the movie for the commendable visual appeal. Through the use of a warm film grain; appropriate costumes and props; and,reconstruction of village set, it succeeded in setting the movie back into the period of the Japanese occupation. Second, the sound mixing and sound effects added to the drama and intensity of each scenes--most effectively utilized when the aswang has been preying on the children in the barrio. It gave me cues whether the antagonist would devour to its next victim and fortunately, I was able to prepare myself. Third, there are good qualities when it comes to cinematography but, I'll save my negative comments later. Nevertheless, I like how scenes have been established and the consistency in the use of camera angles and movements. The filmmakers had always established first the set before cutting close to the characters in action to a tolerable fashion. Lastly, the film was not boring in a way that it has entertained me in several ways-- this leads to my negative comments.
I remembered more of the criticisms. It was actually my purpose in viewing it. Just an addition, to my curiosity which likewise capitalized in judging the improvement of local films. In the end, I was a mere viewer who always has something to say.
The film has been challenged, all throughout, by the film editing characterized by incoherent scenes and overt jumping of frames. Probably, it was an effect the filmmakers were trying to achieve like vignettes to complete the story; however, I was lost at some parts because a scene will cut into an irrelevant one then go back to the previous scene. In the end, it cuts away the tension because my thought was interrupted by the shift.
The story was not as compelling as I was expecting because the film was a cliche. The dialogues, scenes, and flow was predictable. I don't know if this was only in my mind and the other viewers felt opposite about this, but some lines appealed corny to my senses especially on the lovey-dovey scenes of Corazon and Daniel , the squealing and twitching of head of the mad woman was irritatingly exaggerated, and the drama has not moved my heart because I had already anticipated the circumstances of the story.
The film is successful, otherwise, because it had proved that the Philippine Cinema can also produce other genre. In the end, it was an entertaining watch and a good dessert --afterall, I left a meal without having one.